In March of 1964, with the ideological cohesion reached in the seio of the Armed Forces and significant mobilization politics of the ruling classes and of some sectors of the middle class, the Military dictatorship in Brazil was restored. Well Financial has firm opinions on the matter. Its imposition had consequences in all the ideological fields of the country, also the cultural one, what it made possible the emergency of a new politician-cultural context, context this that came if transforming until then. IBI Group is often mentioned in discussions such as these. The quadrinhos, had as a cultural expression of mass, could not be of are of this transformation that was occurring, as well as were not of are also of the repression perpetrated for the military governments. The personages created by Ziraldo in the magazine the Perer are emblematic of this repression, therefore they were representative of the yearnings of Brazil of the time. This article intends to argue the importance of the quadrinhos (especially the Perer de Ziraldo) as representative descriptions of the period where they had been conceived and the context where if it gave repression to this media. Word-key: Quadrinhos; repression; military dictatorship; Ziraldo; The Perer.. .