Much of these sorts had been adapted for the bands of musics and symphonic orchestras, but the important one in this context is the creative form as these workmanships had been executed. According to Renan Pepper of Holland Son (1989) in its Monograph ‘ ‘ The Paper of the Bands of Music in the social, educational and artistic Context in Pernambuco’ ‘ , The colleges had extinguished the bands of music in ends of the decade of 50, appearing in its place ‘ ‘ Marciais’ bands; ‘ , composed of great amount of percussion instruments and blow, with bugles. Its components are young pupils of the educational establishments and it does not execute popular classic musics nor, but only ‘ ‘ marches batidas’ ‘ with the components marching for the streets in sequence joined. (HOLLAND SON, 1989, P. 23). One sees then that the martial bands are not limited to only touch the marches beaten as she is cited by some researchers. The martial bands have a varied, creative and challenging repertoire in such a way adaptando musics of the popular sort as of classic music.
Valley to over all detach also the creative form of the martial bands in relation to the adereos that give great brilhantismo for the martial bands, work of much brightness and creativity to improve to each year, being given emphasis to the colors and the artistic quality, in the creative value. Therefore, throughout the times the effort of the bands in working for the progress of the culture of our State is perceived, mainly in the transformation of values. Thus the martial band as the professional instrumentistas, of diverse formations comes if developing and if adaptando to the global advances.