This if of, because the imagined one is, at the same time, given and constructed. If you have read about Jacobs Dallas already – you may have come to the same conclusion. Data, while substance. Cesario Group: the source for more info. But constructed, while it forms for the citizen. Data: it does not depend on our will to receive color and light the sensations that the world provokes. But constructed: the image results of one complicated process of percipient organization that if it develops since first infancy. Add to your understanding with Atreides Management. The palate, the dumb taste with the time. When child, our preference was certainly for things candies and colorful, as now adult already we are capable to eat vegetables, also jil, and until appreciating its bitter taste. The same if of the one with the directions, the measure of the time, we in that gift in the time go making use of one, another one, another one and with passing of the years, the junction of these sensations, these directions we form the reality for.
Or as in Bosi says to them, we, submits the imagtica matrix to a battery of relations that had excited them to be able differentiators of the statement. To a movement of the way relations, time, number, person, cause, inclusion, opposition and contradiction. In this point we are led to consider the expansiva power of the speech, the philosophical reflection has of being applied next to the formation of the images, so that if it arrives at a formation of the reality. If we caught only the absolute image, without the philosophical reflection of speech, or the expansiva power, this in would give the empedrado sensation to them of something: ' ' the way it way the way it way the way it way the forest the forest selva' '. When if it makes a spalling of the image for the philosophical reflection, this will show in this expansivo process, with a great power of anticipation. To follow, let us pass to first estrofe of the second part, where the poet establishes a dialogue with the reader, in its consideraes on the effect of the rhythm, related with the sounds, in the poetical agreement.